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Audio Engineering Society President David Scheirman recently gave the keynote speech for the 6th International Symposium on ElectroAcoustic Technologies (ISEAT 2017) in Shenzhen, China, held November 4-5. Scheirman’s speech opened the symposium with the topic “Past, Present, and Future: an Overview of Large-Scale Loudspeakers Arrays” and additionally shared perspectives on the worldwide influence of the AES in the field of audio engineering.
ISEAT has been held every two years since 2007 and was initiated by Professor Shen Yong from Nanjing University, who serves as the chairman of the symposium. Aimed to promote technology exchange and learning in electroacoustics and related fields, ISEAT offers attendees a rich technical program with scientific paper presentations, workshops and tutorials. The symposium lays claim to being the most influential and best-attended technology exchange platform in China’s growing professional audio industry.
ISEAT 2017 brought together dozens of the most outstanding scientists and engineers in audio science and technology from all over the world. AES leaders and members included Scheirman, Past President Sean Olive, Fellow and silver medal recipient David Griesinger and Fellow and silver medal recipient Wolfgang Klippel. Also in attendance were ASA standards director Christopher Struck; Ning Xiang, associate editor of the JASA; Akira Mochimaru, senior specialist from Bose; and many other experts. More than 50 papers were presented, covering five primary technical topics: consumer electroacoustics, micro electroacoustics, professional electroacoustics, smart electroacoustics and architectural acoustics. Attendees streamed through the doors of lecture halls, with a registration of over 6000. The symposium also invited founders of China’s top companies in the electroacoustics industry, well-known entrepreneurs, the Chairman of the China Entertainment Technology Association, the Chairman of the China Electronic Components Association – electroacoustic device branch, the Chairman of the China Audio Industry Association and other industry leaders.
ISEAT has worked with the Audio Engineering Society for over a decade and has invited a number of AES presidents and recipients of AES awards to give paper presentations at previous symposiums. The event organizers have actively developed a platform for deeper communication with AES, with the Society contributing valuable technical knowledge, while enthusiastically stimulating a cross-organizational technical seminar. After his keynote speech at ISEAT 2017, Scheirman discussed various aspects of AES membership and activities, including member profiles; organization and the resulting influence of AES across the range of professional audio disciplines; career development; community and human networking benefits; events (local, regional and international); and standards and recommended practices. Scheirman outlined upcoming AES events to be held in 2018, including the 144th AES Convention in Milan, the 2018 AES International Conference on Music Induced Hearing Disorders and AES@NAMM. He also spoke about the dissemination of scientific research through the Journal of the Audio Engineering Society and the AES’s E-library, as well as by the AES Technical Council and its various topical committees. Scheirman closed his presentation by thanking Professor Shen for his long-time contribution to the international electroacoustic field, also thanking the symposium staff that had supported the event so successfully. At the same time, he noted that the AES would keep in close contact and maintain in-depth cooperation with ISEAT for further expansion of the Audio Engineering Society’s growing influence in China.
- Industry-leading brands and companies supporting unique tutorial sessions -
Registration is now open for the inaugural AES@NAMM Pro Sound Symposium: Live & Studio, a unique education and training program from the Audio Engineering Society targeted at working professionals in the live sound, recording and performance-audio communities. The four-day international symposium, which will be held at the 2018 NAMM Show from January 25-28 in Anaheim, CA, comprises a series of Training Academies and related sessions on line-array technologies, live-sound mixing consoles, wireless systems and studio environments, in addition to tutorials on system measurement and optimization, plus a selection of technical papers in related fields. These must-attend classes will be held within the Anaheim Hilton Hotel’s NAMM U Education Center, adjacent to a new pro-audio exhibit space.
“The Audio Engineering Society is leveraging up-to-date expert knowledge from both its members and supportive pro-audio equipment manufacturers,” states AES president David Scheirman. “This symposium will throw a creative spotlight on the application of audio science and technology to sound-system operations, along with studio workflow practices.” Advance registration costs are $69 for a half-day session and $99 for a full-day session; prices for non-AES members are $169 and $199, respectively. Non-members are encouraged to join the Society prior to purchasing Access Passes for the symposium program, since they will receive a significant discount of $100 for each day they sign up.
The organizing committee also has named numerous symposium supporters, which for the Line Array Loudspeaker Academy comprise Adamson, Bose Professional and EAW, with more to be added soon. QSC and Yamaha are supporting the Live Mixing Console Academy – with others expected – while Lectrosonics and Sennheiser are supporting the Entertainment Wireless Academy. Supporters for the Studios Academy, which will profile studio monitors, interfaces, DAWs, plug-ins and more in three separate studio environments, include Apogee, DigiGrid, Focal, Genelec, Meyer Sound Laboratories and Waves.
“We're pleased to be a part of the inaugural AES@NAMM programming at The NAMM Show 2018,” says Marc Weber, director of product and brand management with Adamson Systems Engineering. “NAMM's effort to boost the live-performance audio presence at this year's show is very encouraging. Our participation in the Line Array Loudspeaker Academy complements our dedicated focus on training and education for our users, and we're looking forward to giving NAMM Show attendees a taste of our premium, made-in-Canada loudspeaker products."
“Bose Professional looks forward to sharing configuration and set-up details of our ShowMatch™ System Solutions during the AES@NAMM Symposium,” says Jeff Lange, the company’s global loudspeaker trainer. “We will be providing hands-on training for our compact line array assembly with DeltaQ™ technology, along with details of our collaboration with Powersoft's DSP and amplification platform, and a thorough explanation of our line array calculation software using AFMG's EASE Focus. I'm really looking forward to seeing rental company owners, system engineers and field technicians in Anaheim.”
The Main Stage: Studio sessions coordinated by seasoned author and engineer/producer Bobby Owsinski with a team of studio industry experts will address a range of key operational parameters for recording and production facilities. The Sound System Measurement & Optimization Tutorials will be presented by a panel of seasoned experts, including John Murray, Bruce Olson, Charlie Hughes, James Anderson, Chris Tsanjouries and Andrew Smith, who will discuss measuring and then optimizing the technical performance of various audio systems.
Newly added to the program is the In-Ear Monitor Academy, which will spotlight the installation and operation of in-ear monitoring systems, and Main Stage: Live Sound, which will focus on setting up and using contemporary live-sound systems, with instruction on configuring and interfacing key components in high profile, real-world applications. A related, special social event on Thursday January 25, entitled “Live Sound, Lessons Learned,” will honor the memory of Audio Analysts’ Albert Leccese.
The Technical Papers Sessions of peer-reviewed papers that are standard fare for such AES gatherings will be book-ended by Chinese-language sessions on selected pro-audio topics curated and presented by Bing Li, who chairs the AES Guangzhou Professional Section, together with Xiaowei Fan, lecturer on acoustics at Communication University of China, Nanjing College. Spanish-language sessions on studio recording workflow processes will be presented and curated by Juan de Dios Martin, an experienced producer/engineer and Avid Pro Tools practitioner.
As with all Technical Sessions at traditional Audio Engineering Society events, AES@NAMM is a fee-based symposium with limited seating secured through advance registration, open to all show attendees with a NAMM Badge. Attendees can purchase half-day or whole-day admission, with registration now open. Academy trainees will receive a Certificate of Attendance to confirm their participation in educational sessions.
NAMM U Education Center
AES@NAMM’s Education Center comprises multiple rooms on the fourth floor of the Anaheim Hilton that face the Grand Plaza. Symposium sessions will run 9:00 am to 5:00 pm from Thursday, January 25 through Sunday, January 28, with the last day ending at 4:00 pm.
More: www.AESatNAMM.com | Facebook The NAMM Show | Twitter @NAMMShow