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Audio Post Production, Foley

Posted by Artem Mostovoj on March 12, 2015 at 9:15am 0 Comments

Hi There! I want to present you the Foley Walkers Studio. We specialize in Foley recording for Film, TV series, animation, commercials, etc. Demo reel, prices and contact information are on our website  http://www.foleywalkers.com .

If you are inerested we can send you pro tools session with our work.Thanks.…

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Sonniss independent sound effect libraries.

Posted by Joe Miuccio on March 9, 2015 at 3:00pm 0 Comments

Sonniss is a premium digital marketplace for the buying and selling of independent sound effect libraries.

http://www.sonniss.com/

News from Waves

Posted by Joe Miuccio on March 9, 2015 at 1:30pm 0 Comments

News from Waves.  Created with and for live sound engineers, Tracks Live is a multitrack recording software solution designed to capture live performances of any kind, from the smallest gig to the largest production.  Tracks Live delivers an intuitive recording process and ensures a superior user experience that is fast, easy and steady as a rock.…

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Audio Post Production, Foley

Started by Artem Mostovoj. Last reply by Artem Mostovoj May 4, 2016. 2 Replies

Open Call for SFX Library Licensing

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AES NEWS

AES New York Convention Registration and Housing are Live!

An AES Los Angeles 2016 Convention audience learns from multi-GRAMMY® Award-winning engineer/producer Frank Filipetti on the Project Studio Expo stage. The PSE is part of the FREE content offered with Exhibits-Plus registration. Free Exhibits-Plus registration for AES NY 2017 ends this week.

Register now for the 2017 Audio Engineering Society New York Convention, taking place October 18 to 21, 2017, at the Jacob Javits Center in New York City. Exhibits-Plus registration, a $75 value, offers access to the Convention’s special events, the exhibition and expanded exhibition floor sessions. As a further bonus, registration offers access to the adjacent NAB Show New York exhibition floor and the content in the NAB Show New York’s Core Package (also a $75 value).

In addition to the increasingly popular Project Studio Expo and Live Sound Expo, along with New York’s own Broadway Sound Expo, new events added to the complement of exhibition floor activities include the Broadcast Audio Expo sessions, covering audio applications for radio & TV studios, outside broadcasts and streaming broadcast over portable devices. As one of the pioneers in the interoperability of networking protocols, AES will host a special insight panel that will look into the current and future of AoIP and transport systems. The Broadcast Audio Expo is being held in partnership with sponsors Yamaha, Neumann/Sennheiser and Calrec.

Audio 4 VR is a two-day event with focused product sessions and updates continuing forward from the 2016 AVAR International Conference. The Audio 4 VR stage is situated at the front of the exhibit hall, adjacent to the VR demo areas. Produced in partnership with IMSTA, Software@aes is a pavilion of exhibitors and a day of sessions. With a focus on DAW and Plug-in software, the pavilion features leading manufacturers exhibiting together next to the session stage. Also being introduced are the Mix with the Masters Mixing Workshops at AES. With three days of mixing workshops from twenty of the top producers and mixers in the world, this area is sure to be a crowd magnet! 

The Project Studio Expo sessions, a regular feature of the AES Exhibition floor, are aimed at anyone who wants to record and produce audio. The PSE provides a stage for icons of the industry to offer practical advice and to share knowledge and experience. The Project Studio Expo is being hosted in partnership with Sound On Sound magazine and sponsors Focusrite, Genelec and Neumann/Sennheiser.

The Live Sound Expo & Broadway Sound Expo sessions provide opportunities for anyone who is involved with live performance productions to advance their knowledge and understanding of theater sound design, hidden mics and musicals, touring bands, national events and more, also guided by industry leading experts. The Live Sound Expo is being hosted in partnership with sponsors Yamaha, Neumann/Sennheiser, Cadac and L-Acoustics.

Register now and make plans to join us at the 143rd International AES Convention - advance registration offers the lowest pricing available on technical program All Access badges. Register Now. and Reserve Housing for the 143rd AES Convention.

More Information

AES Unites Pro Audio Community in Berlin as 142nd International AES Convention Educates and Informs

AES Berlin 2017 co-chairs Sascha Spors and Nadja Wallaszkovits led the team that produced the 143rd AES Convention.

Driven throughout the ages by a thriving community of thought leaders, artists, scientists and entrepreneurs, Berlin has maintained global significance as a center of culture and scholarship. The city has emerged as a major player in today’s rapid-paced entertainment technology sector and is home to a vibrant electronic music scene that has attracted dozens of record labels, festivals and international media companies. Thus, Berlin was the perfect setting for the 142nd International Audio Engineering Society Convention. Held May 20-23, 2017, at the Berlin Maritim Hotel, the event built on the successes seen in recent years as AES has pivoted its annual European event to become the preeminent technology showcase and learning forum. 

The Berlin convention offered attendees a rich technical program with scientific paper presentations, workshops and tutorials on critical trends and best practices, and technical tours to many of Berlin’s historical sites, production studios and broadcast facilities. The program was created by a committee of volunteer experts, co-chaired by Nadja Wallaszkovits, Chief Audio Engineer at Phonogrammarchiv, Austrian Academy of Sciences, and Professor Sascha Spors from the University of Rostock. 

“Organizing this event was an exciting challenge and a great experience,” said AES Berlin Convention 2017 Co-Chair Nadja Wallaszkovits. “We were very happy to see the convention well-received by attendees – it was the result of our outstanding team effort.” Wallaszkovits and Spors praised the full AES Berlin committee for their dedicated labors. The AES Berlin Convention Committee included Papers Co-Chairs Jamie Angus and Thomas Sporer (Sporer also serving as Convention Treasurer), Workshops Co-Chairs Sascha Disch and Natanya Ford, Facilities Chair Jens Aherns, Student Volunteers Chairs Christoph Hold and Antonia Schwab, and Technical Tours Chair André Maletz. “AES has been an important resource in all our careers,” added Spors. “It feels good to give back to the community and help other people present their research and make connections.”

AES Executive Director Bob Moses expressed his gratitude to the Convention Committee for a job well done “Sometimes I think I have the coolest job in the world,” said Moses. “Industry leaders volunteer to create these amazing events, and leave us an E-Library of peer-reviewed research papers and video recordings. AES Members worldwide, and year-round, can access these materials to stay on top of the field. I’m so grateful for the gifts these folks bring to our community.”

The Committee’s hard work was honored by strong attendance. Registration topped 1800, with technical program attendance 20% higher than last year’s record-setting convention in Paris, continuing a five-year growth trend for the Society. Participation was also strong on the scientific research side, with 160 paper submissions to the technical conference, and the program filling every room available in the Maritim facility. 

The exhibition, featuring 60 exhibitors, sponsors and demo rooms, showcased a variety of market-leading edge businesses and products. Genelec and Eventide offered special demo rooms with a hands-on opportunity to experience in an intimate setting the world launch of Genelec’s The Ones expanded triaxial loudspeaker line and Eventide’s preview of the soon-to-be-released H9000, a DSP-laden, networked, multi-channel, multi-effects powerhouse. A highlight of the exhibit floor was the standing-room-only Professional Sound Expo (PSE), with 22 educational sessions moderated by engineer/producer/educator Glenn Lorbecki, who stated, “The Professional Sound Expo at AES Berlin was impressive, judging by the number of people who showed up eager to learn from our all-star presenters. The audiences were pretty evenly split between professionals and students, and they absorbed state-of-the-industry tips and technologies from some of the most highly qualified professionals in their fields. I was honored to host the PSE for the third consecutive convention, and look forward to seeing everyone at 143 in NYC.”

As usual for AES Conventions, several important topics trends inspired a buzz in the hallway (and pub) conversations. The evolution of Immersive audio, requiring new techniques for recording and mixing in multiple channels, and its migration into virtual and augmented reality systems, dominated the weekend. Networked Audio, propelled forward by the seminal AES-67 audio networking standard, was also a popular subject in the technical program and on the exhibition floor. Indeed, the exhibition featured an island of booths connected via a Dante™ Network, coupled with an “Audio Networking Day” on the PSE stage, drawing strong crowds on the third and final day of the show, which usually sees lighter attendance. 

An AES Convention would not be complete without the series of Standards Committee meetings, where the industry’s leading systems and product engineers come together to chart a course for interoperability in the market place. In addition, the series of AES Technical Council meetings bring together the top leaders in each audio field to discuss trends, needs and solutions for deployment into the greater AES community. These meetings attract hundreds of professionals from all over the world and incubate the new technologies that will be seen on the exhibit floor and technical programs of future conventions.

With the 142nd Convention in the rear view mirror, the AES and its volunteer community is turning its attention to next year’s AES Europe convention, planned for Milan, Italy, in spring 2018.

Time to Vote: 2017/2018 AES Elections

AES voting members are reminded to cast their ballots in the 2017 election for members of the Board of Governors. The deadline to cast your vote is 5:00 PM (EST) on Friday, July 7, 2017.

The positions open this year are:
• President-Elect
• Treasurer-Elect
• Vice President (5 positions)
• Governor (3 positions)

View Member Profiles of the Candidates

All voting members should have received an email from Global Election Services "helpdesk@voteges.com" notifying them of the vote. In that email is a Unique PIN which you can use along with your membership number to cast your ballot online.

If you did not receive your ballot call Election Services during normal business hours at +1-800.864.1263.

Associate Members and Student Members are not eligible to vote. We encourage Associate Members to apply to upgrade to Member Status.

Read about Membership Types

Apply for Full Member Status

 
 
 

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